The suicide of rachel foster platinum12/31/2022 ![]() ![]() Charlize Theron was Grace Kelly in Dial M for Murder, Scarlett Johansson portrayed Kelly in Rear Window, Naomi Watts took on Marnie, Renée Zellweger made a convincing stand in for Kim Novak in Vertigo, and Jodie Foster made a less convincing stand in for Tippi Hedren in The Birds. In 2008, the magazine Vanity Fair used modern actresses to recreate many of Hitchcock's best known scenes for its annual Hollywood issue. The dispassionate perfection of these fair haired beauties has served as style inspiration for many fashion designers and lifestyle magazines. Nonetheless, the Hitchcock blonde lives on as a style icon. Only a true fashion icon has a Barbie doll made in her likeness! The Hitchcock Blonde as Style Inspiration What the director himself did with his succession of Hitchcock That Stewart was a sort of proxy for Hitchcock himself, and that theĬoncept of a man crafting a woman into his ideal vision is exactly Theįascinating part is watching how Stewart's character endeavors to Much of Madeleine that he falls in love with her, as he had beenįalling for Madeleine before he witnessed her “suicide”. When Stewart'sĬharacter later sees the actress on the street, she reminds him so She fakes her death, with aĭetective played by Jimmy Stewart as the witness. Woman named Jude who was hired to pretend to be Madeleine, the wife Is believed by many to be the one film which reveals the most about Kim Novak starred in one of Hitchcock's most Kim Novak Followed Grace Kellyĭeparture of his second blonde star for Europe left Hitch to seek a Head went on to design the wardrobes for the female leads in Rear Window, To Catch a Thief, The Man Who Knew Too Much, Vertigo, Marnie, The Birds, and Topaz.ĭirector Alfred Hitchcock with one of his famous blonde stars, Kim Novak. ![]() Having found the right costume designer to bring his vision of the perfect cool and proper blonde leading lady to life, Hitchcock stayed with her. ![]() Notorious was one of Hitchcock's most highly regarded films, and also began his collaboration with legendary Hollywood costume designer Edith Head. Once again, it was a case of a gorgeous blonde who was hiding secret passions and who was not what she appeared at first glance (as the subject of her spying found out at the end of the film). All the while, Bergman's character was really falling for Grant, and they shared a famous on-and-off kissing scene (to circumvent restrictions on the allowable length of on-screen kisses). In this thriller about espionage and Nazis, Bergman is tapped to play a seductress spy who ends up marrying her target (played by Claude Rains) to better spy on him. In 1946, Bergman starred in Notorious alongside Cary Grant. Despite some aggressive advances, however (particularly on Tippi Hedren), it appears that his leading ladies never indulged this particular fantasy. Hitchcock's formative years were spent living in England, which is perhaps the basis for his fantasy. ![]() More graphically, Hitch once made a rather vulgar remark about his cool blondes reminding him of proper English ladies who appeared distant and prim, but once in private would take a man's trousers down without warning. Hitchcock once said that the appeal of these characters and the actresses who played them was that a restrained sensuality was lurking under their polished and coiffed facades, just waiting to emerge in the right situation. What makes the Hitchcock blondes so compelling is that underneath their cool and lovely exteriors lives women who are bold and passionate when faced with dangerous situations. Clearly, Alfred Hitchcock's casting of icy blonde female leads was partly a matter of his personal taste in women, but there is much more than that to it. ![]()
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